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VIII
Unity of plot does not, as some persons think, consist in the Unity of
the hero. For infinitely various are the incidents in one man's life
which cannot be reduced to unity; and so, too, there are many actions of
one man out of which we cannot make one action. Hence, the error, as it
appears, of all poets who have composed a Heracleid, a Theseid, or other
poems of the kind. They imagine that as Heracles was one man, the story
of Heracles must also be a unity. But Homer, as in all else he is of
surpassing merit, here too--whether from art or natural genius--seems to
have happily discerned the truth. In composing the Odyssey he did not
include all the adventures of Odysseus--such as his wound on Parnassus,
or his feigned madness at the mustering of the host--incidents between
which there was no necessary or probable connection: but he made the
Odyssey, and likewise the Iliad, to centre round an action that in our
sense of the word is one. As therefore, in the other imitative arts, the
imitation is one when the object imitated is one, so the plot, being an
imitation of an action, must imitate one action and that a whole, the
structural union of the parts being such that, if any one of them is
displaced or removed, the whole will be disjointed and disturbed. For a
thing whose presence or absence makes no visible difference, is not an
organic part of the whole.
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